Because if you’re a Magma fan, you’re gonna wanna see this.
Because if you’re a Magma fan, you’re gonna wanna see this.
Amazing stuff, and, I shit you not, it involves flying carpets!
Featuring Mike Oldfield on bass, Lol Coxhill on soprano, and Dave Bedford on accordion. Ayers at his most beautifully wistful and romantic.
http://scallemang.ca/bowie25albums/
Let me count the reasons that I love this:
My only complaint is that he uses the plural, with “s”, when referring to vinyl, an admittedly petty pet peeve of mine, which I will attribute to his being British. But it’s Bowie, so you know it was charming as hell when he said it.
From Vanity Fair, November 2013.
Possibly my favorite Psychedelic record of the 2000’s. A classic well worth the $70 price tag.
http://www.forcedexposure.com/Catalog/dungen-ta-det-lugnt-3lp-box/SUBL.083LP.html
So psyched to hear this in the season opener of Fargo! Despite the fact that Thorpe was a star in his native Australia since the sixties (guitar god Lobby Loyde was a member of Billy Thorpe and The Aztecs, between his tenure in Purple Heats, Wild Cherries, and later Coloured Balls) this was his only hit in America. Funny thing is, this song always reminds me of a more straight forward Rush.
In 1977, Daryl Hall, feeling the constraints of the commercial pressures surrounding Hall & Oates, decided to hit the studio with former King Crimson commander, Robert Fripp, and record an album unfettered by the need for pop hits. With Fripp as both guitarist and producer, the album was indeed well removed from the blue eyed radio Pop/Soul of Hall’s hitmaking duo.
Unfortunately for Hall, his label RCA found the recordings too experimental, and the album, Sacred Songs, would not see release for three years.
Oddly, in those intervening years, Fripp was to release his own solo LP, Exposure, featuring two vocal appearances from Hall. In fact the sessions began as a continuation of the work on Sacred Songs, and was seen as part of a Fripp trilogy of sorts, with the third act being Peter Gabriel’s, eponymous sophomore LP. Originally Hall sang six tracks slated for the album, but in a confusing battle of record company logic, RCA intervened fearing that the association with Fripp would be damaging to Hall’s career, yet they still wanted Hall to receive co-credit for the record. Mind you, Sacred Songs was still languishing unreleased during all of this. Well, as with many lost gems, these diamonds were finally mined and received release on the 2006 deluxe issue of Exposure, and now we can fully appreciate the Hall & Fripp, Fripp & Hall combination.
NYCNY, as it was called on Sacred Songs, would be re-recorded with different lyrics and vocals on Fripp’s Exposure as, I May Not Have Had Enough Of Me But I’ve Had Enough Of You.
Though lesser known than his debut (recorded under the moniker M. Frog), Jean-Yves Labat’s follow up LP, Underwater Electronic Orchestra, is a far more rewarding effort to these ears. Some Prog, some Psych and a whole lotta synth. Would have perfectly on the collectable Pôle Records roster.
If capitalism and it’s necessary corollary, consumerism (or maybe, vice versa), can keep pushing the Xmas season further out, I say we do the same for Halloween. Halloween: it’s not just a night anymore. Star the holiday season off right and check out Factmag for a diverse list of scary scores to get you in the mood. While, as with any such list, you can gripe about omissions, inclusions (actually, I have no complaint with any inclusion here), placement, etc, it’s still a great list that covers a wide berth. As someone who watches alotta Horror, and has a particular fondness for the soundtracks, the Factmag list kept surprising me with some truly obscure. and fantastic, selections, and has prompted me to check out some more modern sounds in the field (not that I haven’t been enjoying many of the new composers/bands that have been arising, already).
Horror soundtracks are currently enjoying an unprecedented level of interest, with numerous labels (Waxwork, Death Waltz, One Way Static, and others) currently releasing these soundtracks, some reissued, but many legitimately pressed for the first time. Not only that, you have a whole new crew of musicians and composers/producers dedicated to playing these vintage sounds. Artists and bands like Umberto, Brian Reitzell, Zombi, Nightcrawler and Crypt Vapor are introducing this genre to a whole new legion of fans. It’s also tremendously gratifying to see that originators like Goblin, Fabio Frizzi and now John Carpenter (his first live performance EVER is at ATP in Iceland, 2016!!!) performing for excited fans of a wide age range.
Without further ado, here’s Factmag’s list
And interviews with the heads of the three labels mentioned above
http://www.horrornewsnetwork.net/articles/62-horror-movies/8076-the-revenge-of-the-vinyl-horror-soundtrack
A favorite, from a composer who I absolutely love, that I was pleasantly surprised to see included, proving the broad scope of sounds that fall into this category.